Sopranos
Mezzo-Sopranos
Tenors
Baritones
Bass-Baritones/Basses
Stage Directors
Masterclasses

Robert Breault

tenor

 

Tenor Robert Breault, who enjoys an international career that encompasses opera, oratorio, recital, and concert work, is known for his warm and flexible voice, dramatic acting skills, and for making “an excellent impression, his mellifluous tenor boasting clarity of both tone and diction; clearly reveling in high notes, he sang with notable dynamic variety.” Recent highlights include Cavaradossi in Tosca with Edmonton Opera, Duke in Rigoletto with Opera de Montreal, Jupiter and Apollo in a new production of Semele with New York City Opera, Edgardo in Lucia di Lammermoor with Utah Opera, Sam in Susannah with Arizona Opera, the title role in Werther with Chautauqua Opera, Pandarus in Walton’s Troilus and Cressida for Opera Theatre of Saint Louis, and Alfredo in La Traviata with the Fort Worth Opera. On the concert stage he has joined the National Philharmonic, Florida Bach Festival, Utah Symphony, Cleveland Symphony, Atlanta Symphony, Detroit Symphony, Milwaukee Symphony, Mormon Tabernacle Choir, San Diego Symphony, and Philadelphia Orchestra.

Jonathan Burton

tenor

 

Young American tenor Jonathan Burton has been praised for having “thrilling power and beauty” and for singing with a “secure, fluid line.” Recent engagements include Cavoradossi in Tosca with opera New Jersey, Pinkerton in Madama Butterfly with Phoenix Opera, Don Jose in Carmen with Central City Opera, Cavaradossi in Tosca with Annapolis Operas, Rodolfo in La bohème with Palm Beach Opera, and Canio in Pagliacci with Annapolis Opera. In addition, he has performed numerous supporting roles with Florida Grand Opera, Opera Omaha, and Palm Beach Opera.

Jesus Garcia ^

tenor

 

Internationally acclaimed tenor, Jesus Garcia, specializes in the romantic roles of the Italian and French repertoire. His dynamic stage presence and soaring vocalism make him one of opera’s most sought-after young rising stars. After a three-year hiatus from opera, taken in order to write and record his first song-cycle “Manifest Destiny," Mr. Garcia’s comeback to opera in the 2014-2015 season has begun with fervor and buzz in the opera community. In his first production of the season, Mr. Garcia’s interpretation of Alfredo in Eva-Maria Hockmayer and Theater Heidelberg’s provocative new production of La Traviata was an artistic and critical success. Upcoming engagements include Alfredo at the Savonlinna Festival and the Badisches Staatstheater, Rodolfo with Boston Lyric Opera and the Badisches Staatstheater, Nadir with NRO Netherlands, and Plyades in Iphigenie en Tauride with the Badisches Staatstheater. Company credits include Fenton in Falstaff with the Houston Grand Opera and the Opera Company of Philadelphia; Ferrando in Cosi fan Tutte with the Berlin Staatsoper and the Spoleto Festival USA; Rodolfo in La Boheme with L’Opera National de Bordeaux, Prague State Opera, Opera Hong Kong, Opera New Zealand, and Opera Rio de Janeiro, among many others. Mr. Garcia is the recipient of numerous awards including a 2003 Tony Award Honor for his work as Rodolfo in Baz Luhrmann’s production of Puccini’s La Boheme on Broadway.

Nathan Granner

tenor

 

Tenor Nathan Granner, a renowned solo and collaborative artist, has a “vibrant and flexible” voice (The Boston Globe) and “possesses utter control of a ravishing mixed head sound.” (Opera News) Mr. Granner uses his voice in a variety of artistic and expressive styles, ranging from opera to jazz and classical cross-over performances. As an opera singer, Mr. Granner has performed as Nemorino in L'elisir d'amore, Ferrando in Cosí fan tutte, and Rodolfo in La Bohéme in performances with Lyric Opera Kansas City, Opera Theater of St. Louis, Tulsa Opera, Wolf Trap and Glimmerglass Opera. In the crossover realm, he is a founding member of The American Tenors, whose Sony Masterworks album reached top five in the classical crossover charts.  

Ben Gulley

tenor

 

The American tenor, Ben Gulley, has been hailed "as an outstanding tenor" (Opera News) and for being "startlingly-gifted" (San Francisco Classical Voice)." Mr. Gulley's career includes leading and feature roles in opera, solo engagements, classical and cross over concert work, film work, and musical theater engagements. The 2009 winner of the Metropolitan Opera's National Council District & Regional Competitions and a National Semi-Finalist, recent engagements for Mr. Gulley include Ernee in Les Troyens under the baton of Maestro Kent Nagano in San Francisco, Radames in Aida with Opera San Luis Obispo, Edmondo in Manon Lescaut with Chautauqua Opera, Arturo in I Puritani with Minnesota Concert Opera, and Borsa in Rigoletto with Lyric Opera of Kansas City. In concert he has performed Beethoven's Symphony No. 9, Bruckner's Te Deum, Verdi's Requiem, Butterworth's A Shropshire Lad, and Britten's Serenade. Recording highlights include his first cross-over solo album, In Between, released in 2014, and Benchmark Series 1: Tenor Arias and Duets recorded with fellow tenor Nathan Granner as part of their commercial group Gulley/Granner.

David Guzman *

tenor

 

Rising star, Columbian tenor David Guzman, is known for his exquisite tone and impeccable musicianship. Recent engagements include the Duke in Rigoletto with Tampa Opera, Rafael in To Cross the Face of the Moon with Arizona Opera, as well as performances with Lyric Opera of San Diego, Lyric Opera of Chicago, Houston Grand Opera and at the Theatre du Chatelet in Paris. Mr. Guzman made his Carnegie Hall debut as a soloist in Gonzalez’s Misa Azteca with Mid-America Productions followed by performances of Mozart's Coronation Mass at Alice Tully Hall and Mozart’s Vespers at Avery Fisher Hall with DCINY in New York City. Additional highlights include The Duke in Rigoletto with North Shore Opera Festival in New York, Rodolfo in La Bohème with Opera in the Heights in Houston, Don Jose in Carmen with Long Island Opera, Nemorino in L’elisir d’amore with Divaria Productions, Alfredo in La Traviata with Bronx Opera, Rinuccio in Gianni Schicchi with Salt Marsh Opera and Edgardo in Lucia di Lammermoor with Stony Brook Opera.

Joshua Kohl

tenor

 

American tenor Joshua Kohl, who was recently praised for his “glorious, relaxed performance,” and for his “bright voice of great size, yet capable of movement and nuance,” has recently performed with the Nashville Opera as Alfredo in La Traviata, Edgardo in Lucia di Lammermoor with the Sarasota Opera, and the Duke in Rigoletto with Opera Saratoga. He has joined Pittsburgh Opera as Rodolfo in La Boheme, Opera Theatre of Saint Louis as First Jew in Salome, and the Virginia Opera as Nemorino in L’elisir d’amore. Concert performances include engagements with the New Haven Symphony, Boston Youth Symphony, Hartford Symphony, Yale Camerata, Yale Symphony Orchestra, and the Connecticut Master Chorale.

Arnold Rawls

tenor

 

Tenor Arnold Rawls has delighted audiences with his unique combination of vocal and dramatic skills in performances ranging from art song to opera. He has been hailed for having a “powerful, clarion-sounding tenor,” as well as a “flair for acting.” Recent engagements include Manrico in Il Trovatore with The Metropolitan Opera, Canio in Pagliacci with Lyric Opera of Chicago, Pinkerton in Madama Butterfly with Madison Opera, Radamès in Aida with Arizona Opera and Vancouver Opera, Calaf in Turandot with Lyric Opera of Kansas City, and the title role in Andrea Chenier with the Bregenzer Festpiele. On the concert stage he has sung with the Madison Symphony, the Koln Philharmonic, and the Washington Chorus at the Kennedy Center.

 

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